The same diamond, the same certification — at the price it always should have been.
“She stopped white-knuckling what she could not control, and let it go.”
The Lascia Andare is built around a 1.5-carat pear-cut lab-grown diamond, colour F, clarity VS (1.5 ct total), set in 14K White Gold / 14K Yellow Gold and IGI-certified — independently graded, permanent, internationally recognised. It is a lab-grown diamond: atom-for-atom identical to a mined stone in fire, hardness and brilliance — the only reason a diamond of this grade reaches you at this price.
A drop of water holds on as long as it can — clinging, trembling, gathering weight at the edge — and then it lets go, and in the letting go it finally falls clean and catches the light. The pear cut, worn point-down, is that exact moment made permanent: the shape of a drop the instant it releases. Lascia Andare — Let Go — is a ring built on it: a pear diamond in a halo of pave, poised at the point of release, for the woman who stopped white-knuckling what she could not control and finally let it go. If the falling grace of this stone has already reached you, you already understand her.
At its heart is a pear-shaped diamond, colorless in the rare D-to-F range — the teardrop cut, full above and drawn to a single point below, its fire gathering and pouring toward the tip like a drop about to fall free.
It is worked in 14-karat white gold, mirror-polished so the metal reads light and the pear glows clear and free against the dark.
We designed Lascia Andare from a blank page and hung the pear until it read poised at the edge of release. It imitates no house and defers to none. Its proportions were refined until the teardrop looked weightless and free — the hardest thing to achieve when a pear must look like the grace of letting go and never like a stone simply hanging.
Here is the truth the great houses keep behind glass: a pear halo of this colour and finish carries a price that lowers voices. Ours does not. It was set, deliberately and for good, beneath what they would ask — because letting go should never come at a ransom.
“She stopped white-knuckling what she could not control, and let it go.”
The pear has been among the rarest silhouettes in jewelry since the fifteenth century — one rounded arc, one perfect point, catching light differently at every angle.
Around it runs a matching teardrop halo of tiny pave diamonds, tracing the drop's outline in a ring of small fires, so the shape reads unmistakably — poised, weightless, on the edge of release.
It sits on a fine knife-edge band set with pave, clean and unencumbered, nothing gripping, nothing clenched — a setting as unclenched as the hand of a woman who finally stopped holding on.
And understand exactly what it is: laboratory-grown diamonds of certified, genuine brilliance. The same carbon, the same fire, the same forever as any stone taken from the earth — chosen because a woman can let go without asking the world to give anything up for it.
Picture it on your hand the day you finally unclenched your grip on the outcome you could not force; picture it catching the light on the morning you released the thing you had been gripping so long your hand had gone numb around it. In both, it does the same quiet thing — it wears the grace of the drop that let itself fall.
There is a truth you have been living your way toward — that you spent too long white-knuckling what was never yours to control, the outcome, the other person, the version of things you wanted, sure that if you just gripped hard enough you could hold it in place, when all the gripping ever did was tire your hand and never once changed the fall. Lascia Andare is the decision to open your hand. Not pried loose by anyone. Released, at last, by you.
The pear cut flatters every hand and every age; it is graceful, fluid, and quietly freeing, and it will fall just as beautifully in thirty years as it does tonight. The grace of letting go, like a woman who learned it, only comes easier with time.
Wear it on the day you release the thing you cannot control, and feel your hand unclench; or wear it on an ordinary Tuesday because you decided that holding on so tightly was costing you more than letting go ever could. Both are luxury. The woman who lets go on an ordinary Tuesday has understood the thing the ones still gripping have missed.
Every Lascia Andare is finished by hand and held to one question before it may leave us: would a stranger's eye follow the falling grace of the stone across a crowded room. If the answer is not immediate, it stays. That standard does not move.
When it is yours, wear it home tonight on your terms and pay over time — Buy Now, Pay Later, with financing built for a life already in motion, so nothing this freeing is ever kept waiting by a calendar.
Lascia Andare does not clench its grip on what it cannot hold. It poises one clear drop of light at the edge of release — weightless, and free — on the hand of the woman who stopped white-knuckling what she could not control and finally let it go. Bring her home.
Some things you wait for. This is not one of them. Take it home tonight on a Buy Now, Pay Later plan and let it become the piece you reach for when you want to remember exactly who you are. The price was never the question — the years of “later” were.
Every 2N diamond is finished by hand by our Master Artisans in New York — cutters and setters whose training spans decades, and whose rule is absolute: nothing leaves the bench unless it would survive a side-by-side comparison with anything in any showroom in the world.
These are the same diamonds we have supplied to wholesalers and jewelry houses for years — the exact grade, the exact craftsmanship. Now they reach you directly, at the price the trade pays, with no showroom, no middleman, and no markup standing between you and the stone.
That is the whole of the 2N standard: only the finest diamonds earn our name, set into pieces built to be owned for a lifetime and handed down — delivered to your door, insured, in a hand-finished velvet box that no one will open but you.